Advanced selection techniques in Sibelius

In this guest post, Bruce Munson, explains some of the advanced selection techniques you can employ in Sibelius. Bruce is a composer, arranger, copyist and Sibelius trainer, based in the San Francisco bay area, and runs regular training sessions for beginners, intermediate and advanced users at various venues in California and around the US. For more details […]

Creating single parts from multiple staves

I get asked surprisingly often how to create an instrumental part containing multiple staves. It’s not surprising that I get asked this — after all, it’s a common enough requirement, particularly so for percussionists — but rather that people haven’t figured it out for themselves, or been able to find the information in Sibelius’s documentation. […]

Four types of selection in Sibelius

A couple of days ago, I wrote that one of the axioms of efficient use of Sibelius is: “Copy, don’t reinput.” With that in mind, I thought it was worth reinforcing one of the corollaries of that axiom, concerning the four types of selection in Sibelius. Those four types are as follows: single selection, where […]

Getting selective with filters

One of the axioms for efficient use of Sibelius is: “Copy, don’t re-input.” If you can copy and paste something rather than input it again, you’re going to save time. Sibelius provides many ways to copy and paste, including Alt+click, R to repeat something after itself, multicopy (to fill one or more staves with one […]

Creating composite symbols in Sibelius

Sibelius includes many hundreds of different symbols for every purpose, but every now and again you may find yourself requiring a symbol that isn’t included. One way to create a new symbol is to combine two or more existing symbols into a new one, creating a composite symbol. In the above video tutorial, I explain […]