Playback in Dorico: past, present, and future

Andrew Noah Cap gives a thorough review of Dorico’s playback capabilities and the wide variety of needs it attempts to address — from engravers preferring simple playback, to those wanting adequate sound rendering without thinking too much about settings and post-editing, to those that expect playback and editing functionality that is comparable to MIDI editing within a DAW.

Sibelius 2018.4 released with multi-edits for text, better note spacing, much more; re-brands as “Ultimate”

Today Avid released Sibelius 2018.4, a broad release with many new features and some longstanding requests addressed. Areas of improvement include multi-edits for text, a new note spacing rule affecting multiple voices and other cases, deleting and adding bars at the beginning of the score, smarter ties, and many more other enhancements. Avid also announced a new naming strategy where the pro-level version is now called “Sibelius Ultimate”.

2016 holiday shopping guide

Have you been bad or good? We know you’ve been good, and that’s why we’ve assembled this unique holiday shopping guide for 2016 of books, apps, gear and more that you won’t find anywhere else — tailor-made especially for readers of our blog about music notation and technology.

Dorico is here: A review

At long last, Steinberg has released Dorico, its new music notation and scoring software. Alexander Plötz takes a detailed look into the new software’s philosophy, its features, and its feature. Andrew Noah Cap and Philip Rothman contribute additional content to this thorough review.