Steinberg has released Dorico 2.2.10. We explore what’s new in this update, which introduces improvements across all areas of the program and addresses a number of bug fixes as well, making it a solid iteration of the program and a worthwhile update to the massive 2.2 release.
Steinberg has released Dorico 2.2, another enormous update to the program. New features have been added or rebuilt in the areas of trills, group bracketing, repeat markers, jazz articulations, tempo track import/export, real-time MIDI recording, flow headings, tacets, and a new music symbols editor. Many more improvements have been made in other areas, and there are a good 100 or so bug fixes, besides.
Cloud Sharing (in Sibelius 8.7 and later) identifies a score using a hidden file ID that is created when a score is saved or exported in Sibelius. It is important to understand that if you make a copy of a score outside of Sibelius, the file ID will not change. Bob Zawalich discusses where multiple variant copies of a score are generated from a single score, and how to use Cloud Sharing with such a score.
Following up on our last post about getting a studio look to your bar numbers in Sibelius, we’ll now show you how to achieve it in Finale by placing them on their own separate one-line staff.
Placing bar numbers on every bar of your score can save precious rehearsal time. Learn how to get a studio look to your bar numbers in Sibelius by placing them on their own separate one-line staff.
Composer and orchestrator Jeremy Borum shares his tips and tricks about sheet music preparation that may help streamline your process to achieve the fastest and most accurate way to get from raw MIDI to a printed score, regardless of what DAW or notation software you use.
The new CineScore music preparation templates for Finale and Sibelius offer pro-looking scores and parts for studio sessions at a modest price.
Alexa Weber Morales is a singer-songwriter from Oakland, CA whom I have not yet had the pleasure of meeting in person, but with whom I have conversed a great deal on Twitter (find her @AlexaMorales). Recently she got in touch to tell me about her experience of using Sibelius First, our entry-level music notation software […]
In March of last year, I posted about a competition being run by Abbey Road Studios in London to celebrate the historic studio’s 80th birthday. Eight winners were eventually chosen from more than 900 entries, and of course many of the entries were composed or prepared in Sibelius. One of the winners is an anthem […]
Last week, country singer Johnny Reid‘s new album, A Place Called Love, was released in Canada, and went platinum in a single day. Arranger and multi-instrumentalist Jim Hoke – shown in the photo above playing his sax – wrote the horn arrangements for the album, which was recorded in Nashville earlier this year, and of […]