Need to make a clarinet part in a different transposition than the original part? Or a treble clef baritone part linked to the bass clef euphonium part? Here are the step-by-step instructions to set it all up in Dorico.

Need to make a clarinet part in a different transposition than the original part? Or a treble clef baritone part linked to the bass clef euphonium part? Here are the step-by-step instructions to set it all up in Dorico.
Need to make a clarinet part in a different transposition than the original part? Or a treble clef baritone part linked to the bass clef euphonium part? Here are the step-by-step instructions to set it all up in Finale.
Need to make a clarinet part in a different transposition than the original part? Or a treble clef baritone part linked to the bass clef euphonium part? Here are the step-by-step instructions to set it all up in Sibelius.
In the course of preparing a new edition of Copland’s Three Latin American Sketches, here are three improvements that should not be overlooked when preparing a new edition, aside from the improvement in readability that an engraved part will bring. Also: Remembering Vivian Perlis, 1928-2019.
Last week, Seattle Weekly’s Arts section ran a story by Gavin Borchert about the concert series currently being performed by the Seattle Symphony Orchestra. As present musical director Gerard Schwarz prepares to leave his post at the end of the season, the SSO’s Gund/Simonyi Farewell Commissions series will see them take on no fewer than […]