Ian Blick illustrates how to make the Emvoice One voice synth emulate the voice of a trained singer, adding more realism to a score which has been produced in Dorico Pro.
A major upgrade is out for Graphical MIDI Tools for Sibelius, which allows the user to manipulate MIDI information in the score in a graphical manner. It has been completely overhauled as an application that runs within Sibelius to provide a piano roll window.
MakeMusic is seeking beta testers for its free Dolet 8 plug-in for Sibelius. Although Sibelius has its own built-in MusicXML export function, Dolet exports MusicXML differently from the native Sibelius feature. This is the first update to Dolet since 2016.
A plug-in automatically corrects the default length of the single slashed grace note in Sibelius, resulting in a more pleasing appearance.
A comprehensive roundup of the variety of tips and plug-ins to help the notation and playback of harp passages in Sibelius.
Graphical MIDI Tools (GMT) is a Sibelius plug-in that ingeniously superimposes a sequencer-like frame on any given selection, and then gives the user the ability to draw in automations to manipulate the data. Moreover, there are additional windows to adjust velocity and note duration in piano roll-like fashion.
The Sibelius plug-in Create Tuplets Different Units automates the entire process of creating a tuplet where the “numerator” and “denominator” do not share an equivalent unit, such as two quarter notes in the space of three eighth notes.
Proving that getting saxophones to balance properly is as difficult to do in NotePerformer as it is in real life, NotePerformer 3.3.1 is out, fixing that problem and a handful of other issues from the 3.3 release.
Wallander Instruments has released NotePerformer 3.3, an update to its plug-and-play sound library. It brings official Dorico 3 support, support for macOS 10.15 Catalina, and a number of other fixes and improvements.
The Create Trailing Pseudo-Grace Notes plug-in for Sibelius automates a detailed method for creating grace notes at the end of a bar using tuplets, as a workaround for Sibelius’s limitations in that area.