Originally appearing as a document that composer David MacDonald created for his weekly master class, this bullet-list of score preparation and production notes will improve the quality of your performance materials in no time. To it we have added relevant links from Scoring Notes and other sources.
We already showed you how to do it in Finale; now, here’s a clever and useful way in Sibelius to have the part name, title, and composer consistently appear the same — and in the same place — on your title page and the first page of your part.
Here’s a clever and useful way in Finale to have the part name, title, and composer consistently appear the same — and in the same place — on your title page and the first page of your part.
Sibelius isn’t particularly well suited to having different headers in the same document for use in files with multiple sections. But with a little ingenuity, you can learn how to achieve this by setting up your text style in a particular way.
Steinberg today launches a series of monthly live video tutorials for those wanting to learn more about how to use Dorico. The first of the Discover Dorico sessions begins today, January 26, at 11:00 am EST (US).
A review of the AirTurn BT-105 wireless page turner with two ATFS-2 pedals, as used with several music reading apps on an iPad.
A powerful new plug-in that can instantly hide or show all the page numbers in the score, parts, or both — something that previously had to be done one page number region at a time and one part at a time.
Page numbers in Sibelius can be a bit of a mystery if you need to change their defaults. This in-depth post will take you through how page numbers are created, controlled, and modified in Sibelius.
One of the small and perhaps under-celebrated improvements in Sibelius 6 is the ability to control how pages are laid out on screen. This is a purely ergonomic improvement that makes no difference how the score is eventually printed out onto paper, but can make a big difference to your workflow for editing. Shown above […]