Dorico 4 is available. This massive update brings features first seen on the iPad, like a Key Editor in Write mode and a revamped Play mode. From smart MIDI import to a library manager with granular house style control, to better score setup and more, this update touches every corner.
When preparing music, you always make sure what goes on the page is pitch-perfect. How about what goes on the bill? A transcript from our popular podcast episode on the topic of how to charge for your time and skill.
Have you listened to some contemporary music with irrational time signatures and now want to make use of split tuplets, like 2/3 of a triplet? Today we’re going to look at creating these in Sibelius and Dorico.
Join us for the Scoring Express Webinar, a free one-hour session where you’ll see what Scoring Express does, how to use it, and professional tips on making the most of it in your work.
A little planning ahead can speed up your music preparation workflow without compromising on quality. Here’s a step-by-step guide for making your next project more organized, for the benefit of copyist and client alike.
Join us for the Scoring Express Webinar, a free one-hour session where you’ll see what Scoring Express does, how to use it, and professional tips on making the most of it in your work.
The Scoring Express Theatre & Studio templates for Sibelius Ultimate are optimized for the demanding situations of theatrical, show, and studio use, when time is at a premium and everything needs to be presented as clearly as possible.
Samuel Z. Solomon’s book “How to Write for Percussion” is a wealth of information, guidance, opinions, and reference material on an important subject, accompanied by nine hours of quickly-paced companion videos.
We have a two-part podcast interview with composer Christopher Willis. We talk with Chris about his score to the movie “The Personal History of David Copperfield” and its fresh take on familiar musical ideas, and break down Chris’s music preparation process on a film from orchestration to copying.
Remembering Anton Coppola, conductor, composer, founding artistic director of Opera Tampa, and “maestro”, and the work of engraving the piano-vocal score to his crowning achievement, the opera “Sacco and Vanzetti”.