If you’re an engraving stickler, the default appearance of octave lines in Sibelius will leave you feeling frustrated for several reasons. Here’s how to improve how they look and “go with Gould”.
Composer Jessie Montgomery interweaves classical music with vernacular songs, improvisation, and language, presenting exciting challenges for a music copyist or engraver. Here are some of those challenges and how the results were achieved.
Have you listened to some contemporary music with irrational time signatures and now want to make use of split tuplets, like 2/3 of a triplet? Today we’re going to look at creating these in Sibelius and Dorico.
Have you ever read Elaine Gould’s Behind Bars and wished that you could ask her anything about music notation? You may have that chance at the ASMAC music preparation webinar on March 17, 2021.
Even if you’ve discovered the setting in Sibelius to display numbers on every bar in the parts, you’re left with positioning options ranging from bad to mediocre. Let’s fix this, once and for all.
A journey through engraving the entirety of The Rite of Spring from scratch into Dorico, to learn more about both Stravinsky’s masterful composition and how to use the music notation software. Includes Dorico files.
MuseScore has released version 3.6. This release is primarily focused on engraving improvements and also introduces a new, SMuFL-compatible music font called Leland, designed by Martin Keary and Simon Smith, inspired by the legendary SCORE program.
Scoring Express is a collection of professional templates for Sibelius based on the same templates used at NYC Music Services. Each Scoring Express package contains manuscript papers, house styles, music and text fonts, and plug-ins — all installed in one go.
Sibelius 2020.12 is available. The new feature in this release is the long-awaited ability to import Sibelius files directly into an existing Sibelius file or template. There are other improvements in the areas of plug-ins and fonts.
In this video tutorial, David MacDonald demonstrates his current workflow for creating graphic elements using the basic drawing tools in Adobe Illustrator and placing them in his scores in Sibelius.