Escobar Digital is an aggregator for the digital sheet music subscription service nkoda, allowing scores from small publishers and self-published composers to appear in the nkoda catalog alongside larger publishers.
e-reader
Newzik and Universal Edition launch new distribution partnership UE Now
We take a look at UE Now, a new partnership that allows musicians to purchase high quality scores from Universal Edition, delivered instantly to the Newzik app for performance and study.
forScore 11 release further refines the best-in-class iOS score reader
forScore has released forScore 11, the first major update to the iOS score reader since 2016. It’s largely an evolutionary update, but the improvements are thoughtful, practical, and welcome.
NAMM 2019: GVIDO gets a 2.0 software update
At the 2019 NAMM Show, the GVIDO music reader was on full display. We visit with GVIDO representatives to talk through the version 2.0 GVIDO software update and explore how GVIDO is evolving in the market.
The best iPad score reader for most people
We spent time with each of the leading iPad score reader apps — forScore, Newzik, nkoda, Blackbinder, and Piascore — to assess the current state of the category, and to help musicians decide which of the excellent options best suits their needs.
GVIDO music reader: a review
The GVIDO music reader aims to change the way music is read by merging the old with the new. It’s a dual-display hinged device that can show two facing pages with a large display size for each screen, using e-ink technology. Our hands-on review explores whether the product is ready for the consumer market.
Using Newzik and MusicXML
The sheet music reader Newzik has an ever-growing list of annotative features designed to make the app more useful in real-world use. Recently I asked Newzik’s product manager, Matan Daskal, about the opportunities, limitations, and the future of Newzik and MusicXML.
Early impressions of the Gvido music e-reader from the 2017 MOLA conference
An early account of the Gvido music e-reader, as provided by Tony Rickard, music library manager of the Royal Opera House and past president of the Major Orchestra Librarians’ Association (MOLA), from that organization’s 2017 conference.