Sibelius’s Dynamic Parts—instrumental parts that stay linked to the full score.
Originally appearing as a document that composer David MacDonald created for his weekly master class, this bullet-list of score preparation and production notes will improve the quality of your performance materials in no time. To it we have added relevant links from Scoring Notes and other sources.
The Sibelius 2025.3 update addresses issues related to decondensing parts and hidden notes, and fixes some other longtime bugs and workflows.
Sibelius 2025.2 introduces a new "decondensing parts" option, where Sibelius will create two new Dynamic Parts from a single staff, rename them for you, and show only the music relevant to each player, using a new "staff filter" feature.
As the 2025 NAMM Show gets underway, Avid is previewing a new decondensing parts feature in Sibelius, and speech-to-text AI technology in Pro Tools. Steinberg is launching a sale with up to 40% off products, including Dorico.
Proper score formatting can make a dramatic difference in readability. We take a look at two of those formatting techniques — condensing scores and adding oversized time signatures — and how to incorporate them into MuseScore.
In Sibelius, when working in a file with a score and parts, you can unintentionally break the link between the wildcards used for title and composer text. It can cause a whale of a problem, but fortunately there's a way to escape.
MuseScore 4.2 sports many new guitar notation and playback features like bends and alternate string tunings, and a new sample library. Improvements in score/part synchronization, harp pedal diagrams, arpeggios, ties, Braille, MusicXML import, sharing, and more round out this update.
Sibelius 2023.5 introduces the ability to hide individual notes that appear in the same chord in one voice and create dynamic parts sourced from one staff. The update also adds the option to export and view a list of keyboard shortcuts, as well as other improvements.
"Part"-y on with this installment of the Conquering Finale video tutorial series, where we discuss linked parts, how they work, and how to manage them effectively within your Finale documents.
Need to make a clarinet part in a different transposition than the original part? Or a treble clef baritone part linked to the bass clef euphonium part? Here are the step-by-step instructions to set it all up in Dorico.
