Playback in Dorico: past, present, and future

Andrew Noah Cap gives a thorough review of Dorico’s playback capabilities and the wide variety of needs it attempts to address — from engravers preferring simple playback, to those wanting adequate sound rendering without thinking too much about settings and post-editing, to those that expect playback and editing functionality that is comparable to MIDI editing within a DAW.

Sibelius clinic at NYU ASCAP Film Scoring Workshop

I recently had the pleasure of serving again on the faculty of the NYU/ASCAP Foundation Film Scoring Workshop in Memory of Buddy Baker. The 2013 workshop, which concluded last week, offers participants from around the world an intense 10-day period in which they attend clinics, participate in seminars, and work with a great faculty of […]