Composer Jessie Montgomery interweaves classical music with vernacular songs, improvisation, and language, presenting exciting challenges for a music copyist or engraver. Here are some of those challenges and how the results were achieved.
Have you listened to some contemporary music with irrational time signatures and now want to make use of split tuplets, like 2/3 of a triplet? Today we’re going to look at creating these in Sibelius and Dorico.
An interview with composer, new music notation specialist and arts administrator jef chippewa about his neueweise fonts for Finale and Sibelius and his work, philosophy, and approach to music notation.
In this post, conductor and composer Claude Lapalme shows you how he composed a meter-less segment of a movement of a chamber orchestra work in Dorico, using its sophisticated note entry and engraving tools.
I happened upon a short interview with New York-based composer and vocalist Dennis Tobenski (pictured right) on the web site of fellow composer Thomas Deneuville. Tobenski is a young American composer who has written incidental music for a number of theatre productions, and several cycles of art songs. Deneuville asked Tobenski whether he used a […]