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We open the Scoring Notes mailbag, contemplate the musings of our audience, and try to leave no question unanswered in this fun and informative podcast episode.
More from Scoring Notes, referenced in this episode:
- Finale’s twilight zone: Ensuring a smooth ride into the sunset
- Using Finale in the unsupported era
- Leaving Finale behind
- The rights stuff, with Jim Kendrick
- Scanning the current OMR landscape
- Partying with parts, part 1
- Partying with parts, part 2
- Working with page numbers in Sibelius
- Better Sibelius slurs for opposite stem direction on outer notes
- Marie Chupeau and the human side of Newzik’s artificial intelligence
- From “zero to slice”: Soundslice takes on optical music recognition with AI
- Sibelius 2022.5 brings multi-section headers, other workflow boosts
Jan Klein Swormink
Hello Philip and Donald, I am a regular listener to your podcast. I heard you in this session talk about the use of jazz fonts, which would be not as legible as the standard fonts (like bravura). I typically use for my compositions the Petaluma font. Is this nog advisable for use outside of jazz?
Thanks for your time
Jon Arnold
Thanks for tackling my question! I recently purchased one of the Henle metal engraving plates, so I will take your suggestion and try to mimic the print of that. (It’s Dorico specific, but I think that was also the approach of John Barron’s video on part layouts.)
I wish we had an open text book or repository of tricky engraving tasks or useful examples to emulate. Maybe we’ll all have time to make one someday…
Philip Rothman
Thanks for the great question, Jon!