For decades, Emily Grishman has been one of Broadway’s most sought-after copyists, and her list of credits includes the most acclaimed music and theatrical productions. Philip Rothman talks with Emily about her career and how the means and manner of producing music has changed along with advancements in the music notation software she uses every day. Learn what Emily has to say about the world of music copying, the process of getting the music from the composer’s pen to the player’s stands, and the tools she uses to achieve superior results.
Plus: the secret to being an expert in your music notation software of choice, everything you ever wanted to know about bar numbering schemes… and what not to do when working on a horror film score.
Further reading: Women Who Wow Us: Emily Grishman
On Scoring Notes: Scoring Express templates for Sibelius
Photo credit: Jamie Maletz