A few months ago I posted a snippet of the manuscript for Hector Parra’s opera, Hypermusic Prologue. Here it is again:
Reader Ilja Panzer commented that he would love to see the equivalent passage in Sibelius. Copyist Katherine Anderson was happy to oblige; here it is:
To see the example above at a much larger size, click here.
This kind of complex, contemporary notation is a great advertisement both for the power and flexibility of Sibelius, and also for the skill and talent of engravers like Katherine. Thanks for sharing this with everybody, Katherine!