A brief but illuminating conversation with Jane Cross, a music archivist at the Library of Congress, about the importance of digital preservation, managing music files, and keeping it all safe. From the 2022 MOLA Conference.

Read about the interesting individuals in our field — from the developers to the creators — and what they have to say about where we’ve been and where we’re headed.
A brief but illuminating conversation with Jane Cross, a music archivist at the Library of Congress, about the importance of digital preservation, managing music files, and keeping it all safe. From the 2022 MOLA Conference.
What happens when you combine custom fonts, fine-tuned engraving settings, and decades of collective music preparation expertise? The Scoring Express templates for Sibelius, Dorico, and Finale.
From June 3-6, 2022 in Philadelphia, MOLA: An Association of Performance Librarians held their 40th annual conference, and by all accounts it was a huge success.
Allison Loggins-Hull and Nathalie Joachim are distinguished flutists and composers, and Flutronix, the name of their duo, says it all. Known for their unique blend of classical, hip hop, electronic programming and soulful vocals, music and technology intersect constantly in their work and music.
Robert Puff, one of the foremost music preparers working in concert and commercial music, and music notation software expert whose advice was available on his highly-regarded industry web site Of Note, died on Thursday, April 21, 2022.
Darcy James Argue returns to talk about his role in creating the fully revamped SMuFL-compliant jazz default file and document style in the Finale v27.2 update, and offers some tips for how users can make the most of it.
There was a time when there were no music fonts — and then there was one. Cleo Huggins, the designer of Sonata, the very first music font, tells us all about setting the standard for a new era in music notation.
You may know all about writing music. But what about your rights and music? Attorney and music publisher Jim Kendrick expertly steers us through the intersection of creativity, copyright, and technology.
If you’ve ever needed to open a music notation file in a different program, you’ve relied on MusicXML to do it. Michael Good invented this now-ubiquitous format two decades ago, and we find out how it happened. Plus, an update.
Daniel Spreadbury returns to Scoring Notes to talk about Dorico 4, the huge update to Steinberg’s scoring software. We discuss the new Write mode features, the Library Manager, and the overall development approach to the product.