Read about the interesting individuals in our field — from the developers to the creators — and what they have to say about where we’ve been and where we’re headed.
Before accepting her special Tony award in 1976, Mathilde Pincus said, “People think of us as music copyists, but we’re much more than that, and we’re trying to change our image.” She succeeded.
Bob Zawalich, Sibelius guru and plug-in developer extraordinaire, gives us a personal tour of how many new and updated plug-ins came to be over the past few months, meeting friends along the way.
Steinberg product marketing manager Daniel Spreadbury has been in New York City this week promoting Dorico. We caught up with Daniel before his demo at Yamaha Artist Services. Listen to our engaging 40-minute conversation, in which we discuss his time in New York, the new features in Dorico 2, the development process, and much more.
In this post, from the floor of the 2018 MOLA conference, we talk with Steve Reading from Scores Reformed, a publisher that produces new editions of out-of-copyright works.
In anticipation of the 2018 Major Orchestra Librarians’ Association (MOLA) conference, an interview with librarian Paul Beck about his life and work, and to hear in his own words what it means to perform the essential function of the librarian in today’s musical world.
This is the second in a series of interviews with Elaine Gould, senior new music editor at Faber Music and author of the music notation treatise Behind Bars, in partnership with Music Engraving Tips. In this interview, Elaine talks about the ideas behind her writing the book.
The first of a series of interviews with Elaine Gould, senior new music editor at Faber Music and author of the music notation treatise Behind Bars. Conducted by Justin Tokke in partnership with the Music Engraving Tips community group.
An interview with composer, new music notation specialist and arts administrator jef chippewa about his neueweise fonts for Finale and Sibelius and his work, philosophy, and approach to music notation.
Medieval 2 is a new a comprehensive package that works within Finale to create early music notation. We caught up with Robert Piéchaud, Medieval 2’s creator, to learn more about it and Robert’s other projects.
On the release of NotePerformer 2.0, a major update to the Sibelius-compatible sound library, we interview Arne Wallander, creator of the Wallander family of virtual instruments and NotePerformer.
More than a year after taking the helm of MakeMusic, and shortly after its latest software release of Finale 2014.5, I caught up with CEO Gear Fisher about the company’s products, its progress, and future.