Read about the interesting individuals in our field — from the developers to the creators — and what they have to say about where we’ve been and where we’re headed.
An interview with composer, new music notation specialist and arts administrator jef chippewa about his neueweise fonts for Finale and Sibelius and his work, philosophy, and approach to music notation.
Medieval 2 is a new a comprehensive package that works within Finale to create early music notation. We caught up with Robert Piéchaud, Medieval 2’s creator, to learn more about it and Robert’s other projects.
On the release of NotePerformer 2.0, a major update to the Sibelius-compatible sound library, we interview Arne Wallander, creator of the Wallander family of virtual instruments and NotePerformer.
More than a year after taking the helm of MakeMusic, and shortly after its latest software release of Finale 2014.5, I caught up with CEO Gear Fisher about the company’s products, its progress, and future.
In part 2 of this two-part interview, Sibelius co-founder Ben Finn speaks to us about selling Sibelius to Avid, events after the sale, marketplace developments, and the state of the field today.
In part 1 of a two-part interview, Sibelius co-founder Ben Finn speaks to us about the early days of Sibelius, evolving the software, and growing the company into the market leader.
Learn more about the inspiration behind StaffPad, in this interview with its creator, David William Hearn.
Coinciding with today’s official release of MuseScore 2.0, we have a roundup of the program’s new features as well as a lengthy interview with MuseScore’s co-founder and CEO Thomas Bonte.
An extensive interview with Daniel Spreadbury about Steinberg’s scoring program, technology, music engraving, the state of the field, and more.
An interview with Sibelius user Robin Walker in which he discusses his background, helping fellow Sibelius users, and the future of music technology.
A musician recruits strangers to form an orchestra and perform at the Edinburgh Fringe Festival in the span of 10 days, and scores the music in Sibelius in an unconventional way.