People

Tim Davies, a self-described “arranger that fell into orchestrating”, talks about how his musical curiosity, relentless practicality — and no shortage of keyboard macros — helped him become one of the most sought-after pros in the music business.

Nicole Jordan, principal librarian of the Philadelphia Orchestra, visits with us at the conclusion of the successful 2022 MOLA Conference, hosted by her hometown orchestra.

A brief conversation with Mark Fabulich, an assistant librarian at the Boston Symphony Orchestra and chair of MOLA’s Technology Committee, about staying on top of digital developments. From the 2022 MOLA Conference.

A brief but illuminating conversation with Jane Cross, a music archivist at the Library of Congress, about the importance of digital preservation, managing music files, and keeping it all safe. From the 2022 MOLA Conference.

Allison Loggins-Hull and Nathalie Joachim are distinguished flutists and composers, and Flutronix, the name of their duo, says it all. Known for their unique blend of classical, hip hop, electronic programming and soulful vocals, music and technology intersect constantly in their work and music.

There was a time when there were no music fonts — and then there was one. Cleo Huggins, the designer of Sonata, the very first music font, tells us all about setting the standard for a new era in music notation.