Cory Davis from Dunvagen Music shares the detailed method that he used to create custom line ends in Sibelius for a new edition of Philip Glass’s Music in Twelve Parts, by taking SVG files made in Illustrator and importing them into Sibelius.
The third Dorico update, version 1.0.30, is available, with some new features particularly in the areas of rests, barlines, bar numbers, tremolo and grace note playback, as well as other areas of the program. In addition, dozens of bugs and other performance issues have been addressed.
Here’s how to change the default appearance of octave lines in Finale and Sibelius, if, for instance, you’d like the octave line to simply read “8” instead of “8va”.
If you have a passage in Finale with eighths and sixteenth rests (and vice versa) which you want to automatically combine into a dotted eighth rests, the solution is far from obvious — but it’s possible, if you know where to look.
Thanks to Bob Zawalich, Kenneth Gaw, Hans-Christoph Wirth, and Tom Curran, 2016 brought us more useful Sibelius plug-ins. Bob summarizes the year in plug-in development along with a list of all plug-ins newly created in the past year.
The second Dorico update, version 1.0.20, is available. New features and improvements abound, with arpeggios, more page layout options, better bar rest handling in voices, and a new playback options dialog among the many enhancements and bug fixes.
The Sibelius 8.5 update introduces the long-awaited ability to change the staff size on a system-by-system basis. A refresh of the Inspector and various other fixes round out this latest update.
The first Dorico maintentance update is full of new features and bug fixes covering all areas of the program. Notable among them are the significant performance improvements, the addition of a transpose feature, customizable vertical staff spacing, and better selection techniques.
Have you been bad or good? We know you’ve been good, and that’s why we’ve assembled this unique holiday shopping guide for 2016 of books, apps, gear and more that you won’t find anywhere else — tailor-made especially for readers of our blog about music notation and technology.
Engraver Jeremy Hughes discovered a better-than-usual way to keep tempo text aligned to time signatures in both the score and parts in Sibelius, and we’ll show you how to do it.